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“One of today’s most impeccably musical pianists.” International Piano, January/February 2021

Praised for his unfailingly communicative playing, British pianist Leon McCawley has been delighting audiences worldwide since winning, in 1993, First Prize in the International Beethoven Piano Competition in Vienna and Second Prize at the Leeds International Piano Competition. His many concert performances and extensive discography have established him as a pianist of great integrity and variety, bringing freshness and vitality to Classical, Romantic and 20th century repertoire. McCawley’s recent CD of Haydn Sonatas Volume IV for SOMM Recordings is no exception: “There is real freshness to McCawley’s playing throughout, concomitant with a sense of Haydn’s delight in playing with form. Captured in superb sound, this is one of McCawley’s finest discs to date”. (International Piano, December 2021).

‘ELEGANCE AND VIRTUOSITY’ IN MEXICO

October 10th, 2023|

Leon has returned from a highly successful recital tour in Mexico making his debuts at the En Blanco y Negro Festival in Mexico City, the Festival Internacional de Piano Sala Beethoven in Monterrey and Festival Internacional de […]

BACK IN THE RECORDING STUDIO

April 17th, 2023|

Leon was recently back in the studio at Menuhin Hall recording a compilation disc for SOMM Recordings of piano music inspired by the natural world including works by composers such as Bartók, […]

‘A PIANIST WHO FINDS THE HUMANITY IN THE MUSIC AND EMBODIES IT’

February 25th, 2023|

Leon performed recently at the Fanny Davies International Piano Series at St James Guernsey and received a fine review in the Guernsey Press:

‘Until I heard Leon McCawley play, I’d never have considered so dry a virtue as […]

‘ELEGANCE AND VIRTUOSITY’ IN MEXICO

October 10th, 2023|

Leon has returned from a highly successful recital tour in Mexico making his debuts at the En Blanco y Negro Festival in Mexico City, the Festival Internacional de Piano Sala Beethoven in Monterrey and Festival Internacional de […]

BACK IN THE RECORDING STUDIO

April 17th, 2023|

Leon was recently back in the studio at Menuhin Hall recording a compilation disc for SOMM Recordings of piano music inspired by the natural world including works by composers such as Bartók, […]

‘A PIANIST WHO FINDS THE HUMANITY IN THE MUSIC AND EMBODIES IT’

February 25th, 2023|

Leon performed recently at the Fanny Davies International Piano Series at St James Guernsey and received a fine review in the Guernsey Press:

‘Until I heard Leon McCawley play, I’d never have considered so dry a virtue as […]

8th December 2023 BRADFORD ON AVON, UK
Solo recital at Wiltshire Music Centre (7.30pm)

Book tickets

Haydn: Sonata No. 34 in D major Hob. XVI/33
Tchaikovsky: Song of the Lark & Autumn Song from The Seasons Op. 37a
Prokofiev: Sonata No 2 in D minor Op. 14
Chopin: Impromptu in A flat major Op. 29
Schubert: Four Impromptus D935

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19th January 2024 TRURO, UK
Solo recital for Truro 3 Arts at Truro College (7.30pm)

Book tickets

Haydn: Sonata No. 34 in D major Hob. XVI/33
Tchaikovsky: Song of the Lark & Autumn Song from The Seasons Op. 37a
Prokofiev: Sonata No 2 in D minor Op. 14
Chopin: Impromptu in A flat major Op. 29
Schubert: Four Impromptus D935

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26th January 2024 WELLS, UK
Solo recital at Cedars Hall (7pm)

Tickets available soon here

Haydn: Sonata No. 34 in D major Hob. XVI/33
Tchaikovsky: Song of the Lark & Autumn Song from The Seasons Op. 37a
Prokofiev: Sonata No 2 in D minor Op. 14
Chopin: Impromptu in A flat major Op. 29
Schubert: Four Impromptus D935

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27th January 2024 WELLS, UK
Masterclass at Wells Cathedral School

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2nd February 2024 RINGWOOD, UK
Solo recital for Avon Valley Concerts at Trinity Centre (7.30pm)

Book tickets

Haydn: Sonata No. 34 in D major Hob. XVI/33
Tchaikovsky: Song of the Lark & Autumn Song from The Seasons Op. 37a
Prokofiev: Sonata No 2 in D minor Op. 14
Chopin: Impromptu in A flat major Op. 29
Schubert: Four Impromptus D935

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3rd February 2024 CAMBRIDGE, UK
Solo recital at Stapleford Granary (7.45pm)

Tickets available soon here

Tchaikovsky: Song of the Lark & Autumn Song from The Seasons Op. 37a
Prokofiev: Sonata No 2 in D minor Op. 14
Chopin: Impromptu in A flat major Op. 29
Schubert: Four Impromptus D935

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7th February 2024 LONDON, UK
Solo recital at Wigmore Hall (7.30pm)

Book tickets

Haydn: Sonata No. 34 in D major Hob. XVI/33
Tchaikovsky: Song of the Lark & Autumn Song from The Seasons Op. 37a
Prokofiev: Sonata No 2 in D minor Op. 14
Chopin: Impromptu in A flat major Op. 29
Schubert: Four Impromptus D935

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6th March 2024 CLITHEROE, UK
Solo recital for Clitheroe Concerts Society at Clitheroe Royal Grammar School (7.30pm)

Book tickets

Haydn: Sonata No. 34 in D major Hob. XVI/33
Tchaikovsky: Song of the Lark & Autumn Song from The Seasons Op. 37a
Prokofiev: Sonata No 2 in D minor Op. 14
Chopin: Impromptu in A flat major Op. 29
Schubert: Four Impromptus D935

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8th March 2024 WARRINGTON, UK
Lunchtime recital at Holy Trinity Church (1pm)

Book tickets

Haydn: Sonata No. 34 in D major Hob. XVI/33
Tchaikovsky: Song of the Lark (March) from The Seasons Op. 37a
Schubert: Impromptus Nos. 2, 3 and 4 from D935

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17th March 2024 NORWICH, UK
Solo recital for Norwich Chapel Concerts (6.30pm)

Book tickets

Haydn: Sonata No. 34 in D major Hob. XVI/33
Tchaikovsky: Song of the Lark & Autumn Song from The Seasons Op. 37a
Chopin: Impromptu in A flat major Op. 29
Schubert: Four Impromptus D935

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22nd March 2024 LEWES, UK
Solo recital for Nicholas Yonge Society at East Sussex College (7.30pm)

Book tickets

Haydn: Sonata No. 34 in D major Hob. XVI/33
Tchaikovsky: Song of the Lark & Autumn Song from The Seasons Op. 37a
Prokofiev: Sonata No 2 in D minor Op. 14
Chopin: Impromptu in A flat major Op. 29
Schubert: Four Impromptus D935

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El Norte (Monterrey, Mexico), October 3rd 2023
Solo recital for 27th Festival Internacional de Piano Sala Beethoven, Monterrey, October 2nd 2023

Leon McCawley displayed to the audience that attended the Auditorio San Pedro not only his immaculateness and level- headedness in the interpretation of classical repertoire (which included the Sonata No. 38 in F major of Haydn) but also an elegance and virtuosity very much in tune with the quality of performances to which this festival has accustomed us.

The recital began precisely with Haydn’s work in which the pianist displayed clean, thoughtful articulation and phrasing, with rhythmic clarity. Later, he performed Two Nocturnes Op. 55 by Chopin. The deeply emotional interpretation of these melancholic pages drew ‘’bravos’’ from the public. McCawley continued with Beethoven’s Sonata No. 26 in E flat major, known as “Les Adieux” where he gave a measured, reflective, technically impeccable reading, capturing the author’s emotional chiaroscuro in his touch.

The second part of the recital consisted of Two Rhapsodies Op. 79 by Johannes Brahms, in which the pianist overcame the technical challenges, and to conclude, Faschingsschwank aus Wien (Carnival Jest from Vienna) by Robert Schumann. Structured in five contrasting movements, the work allowed for a virtuoso and dynamic display by this master pianist from the Royal College of Music in London. The audience gave him a standing ovation.

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CharlesHutchPress, October 24th 2022
Solo recital at Sir Jack Lyons Concert Hall, York, October 12th 2022

Athletes and performers alike talk about being “in the zone”. Leon McCawley found it here. He played the Schubert like a man possessed, not running amok, quite the opposite. The audience sensed it early on and kept incredibly quiet, even between movements. No-one wanted to break the extraordinary spell he generated.

Although Schubert’s multiple key-changes can easily disrupt the flow, they were not allowed to here, seeming perfectly and smoothly logical. This slackened not a whit in the Andante, which was deeply thoughtful and ended with the same serenity we had heard earlier.

The scherzo was fiery but light, with crisp inner voices. Gravity returned in the trio but evaporated with the scherzo’s return and peaceful conclusion. The finale was inevitably more extrovert, and even briefly stormy, but the scale was always intimate, as if secrets were being shared rather than trumpeted around the hall.

By now McCawley had the audience in the palm of his hand and could have got away with almost anything. But he kept faith with our intelligence and resisted the temptation to over-explain. It was possible to believe that this was exactly how Schubert intended it to be. Certainly it was a performance never to be forgotten.

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The Straits Times, June 15th 2022
Solo Recital for Singapore International Piano Festival at Victoria Concert Hall, June 12th 2022

British pianist Leon McCawley’s recital returned to the classical world of Vienna, represented by Haydn’s masterly Variations in F minor and Mozart’s rarely heard Sonata in F major (K533/494), brought out with gravitas that was both touching and moving. In the fast movements of the Mozart, clarity and illumination were the rule, and the music could not have been more tastefully rendered.

Then there was Schubert’s final Sonata in B flat major (D. 960) where McCawley’s sense of proportion and architecture was peerless. Playing the exposition repeat of its first movement ensured that its warmth and lyricism were doubly enjoyed.

An overwhelming sense of mortality possessed the haunting slow movement. This, balanced by the apparent gaiety of the last two movements, gave this magnificently judged performance a human perspective that has become all too rare.

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Cambridge Independent, 20th February 2020
Royal Philharmonic Orchestra/Domingo Hindoyan at Cambridge Corn Exchange

The soloist for Beethoven’s Piano Concerto No. 1 in C Major, Op. 15 was multi-award- winning British pianist Leon McCawley who in many respects, one would have to say, is the perfect pianist.

McCawley gave a spellbinding performance of this concerto…[his] understanding of this beautiful music was complete. It was impossible not to be moved by both the ability of the composer to create such a thing, and a performer who could engage with it so masterfully.
John Gilroy

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La Nueva España, Asturias 12th May 2019
Orquesta Sinfónica del Principado de Asturias/Hans Graf at Auditorio Principe Felipe, Oviedo

Without a doubt, McCawley was one of the attractions of the evening. His style, intimate and technically imposing, fitted like a glove for the interpretation of the Schumann concerto, and was in evidence even more so in the ‘Liebeslied’ encore, played with such sensitivity and delicacy.
Jonathan Mallada

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El Comercio, Asturias 21st January 2017
Orquesta Sinfónica del Principado de Asturias/Manuel López-Gómez at Teatro Jovellanos, Gijón

…this was a passionate and poetic Beethoven [Piano Concerto No. 3], full of energy and rhythm. McCawley is a pianist with a very lyrical and poetic touch, so transparent and precise…

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